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“Hotels have to be felt”

Mahmoudieh takes a radically holistic view of hospitality

19.10.2026 | 6:40

Fireplace lounge at Strandhotel Atlantic in the Baltic resort of Bansin on Usedom: velvet upholstery, copper pendants and a bookcase that picks up the hotel’s literary theme. Mahmoudieh comprehensively redesigned the hotel and the adjoining Villa Meeresstrand. Photos: Strandhotel Atlantic & Villa Meeresstrand / Yasmine Mahmoudieh
Yasmine Mahmoudieh, architect, interior designer and impact designer based in London and Milan.
The reception plays on contrast: an angular, metal-clad desk set against a sculpted, wave-patterned wall.
The reception plays on contrast: an angular, metal-clad desk set against a sculpted, wave-patterned wall.

Yasmine Mahmoudieh on regenerative hospitality, healthier materials, AI in design, and why hotels should do more than simply reduce their environmental impact.

Hospitality is under pressure from several directions at once. Sustainability targets are becoming more demanding, economic constraints are tightening, digital tools are accelerating the design process, and guests are paying closer attention to wellbeing, authenticity, and the values behind a place. For Yasmine Mahmoudieh, these forces cannot be separated. They all feed into a larger question: what should a hotel actually do for the people who stay in it — and for the environment around it?

Mahmoudieh is an architect, interior designer, impact designer and creative director based in London and Milan. For more than three decades, she has worked internationally on hospitality and mixed-use projects across Europe, the Middle East, and the Americas. Her work increasingly focuses on regenerative materials, ESG-driven design, and the relationship between architecture and human health. Alongside her studio practice, she advises hotel groups, tourism boards, governments, and public stakeholders, and has built a living library of organic and regenerative materials to support what she describes as more future-proof design decisions.

Her position is ambitious. Mahmoudieh argues that hospitality should move beyond reducing harm and begin to actively improve health, communities, and ecosystems. That raises an obvious question: how much of this is already changing real projects — and how much still remains aspiration?

furnomics: Hospitality design is currently being shaped by sustainability targets, economic pressure, new technologies and changing guest expectations. Which of these forces is having the greatest impact on projects today?

Yasmine Mahmoudieh: All of these forces are shaping hospitality, but the strongest driver I see is the combination of economic pressure and changing guest expectations. Owners want assets that are more resilient and future‑proof, and guests increasingly look for places that feel aligned with their values and wellbeing, not just design trends. Technology and AI then follow these demands. We use them to understand performance and personalise experiences, but the core question is still very human. Hotels have to be felt. The real impact comes from how a space touches mind, body and soul, and whether people leave feeling better than when they arrived.

furnomics: Is sustainability already influencing hospitality projects from the first concept onwards, or is it still too often added later to meet regulations and certification requirements?

Yasmine Mahmoudieh: In my own work, sustainability starts with the first concept. If it comes later, it usually becomes superficial or costly. Across the industry it is still too often added afterwards, to satisfy regulations or certifications. You get visible “green” elements, but the deeper structure of the project remains unchanged. When sustainability shapes the concept from the beginning, it influences location, architecture, materials, operations and narrative. That is how a hotel can move from “less harmful” to genuinely regenerative for its environment and its guests.

furnomics: Where do you see the biggest gap between the sustainability ambitions of the industry and what is actually being built?

Yasmine Mahmoudieh: The biggest gap I see is between ESG ambitions and everyday construction decisions. Many brands speak about net zero, circularity and wellness, yet conventional structures, toxic finishes and short‑term value engineering are still the norm. My mission is to change the way we build by replacing harmful materials with healthy, organic and regenerative ones, so that hospitality can actively improve health for the planet and for human beings. That requires more knowledge, patience and courage at concept stage, but it pays off in long‑term performance and guest loyalty.

furnomics: Your work connects architecture, hospitality, ESG and education. How does this broader perspective influence the way you approach commercial projects?

Yasmine Mahmoudieh: I see architecture as applied art with a clear purpose: to improve life. In hospitality, that purpose becomes designing behaviour, emotion and memory. Because my work connects hospitality, ESG and education, I tend to approach projects as part of a larger ecosystem rather than isolated buildings. I help clients align their physical spaces with their ESG story and their guest experience, whether that is a single hotel, a brand or a destination. This can include working with hotel groups, tourism boards or public bodies on how a place performs, communicates and evolves over time.

Halftone portraits carry the hotel’s literary theme into the rooms: here Leo Tolstoy above the bed, a quotation on the suspended ceiling and a view of the Baltic Sea beyond.
Halftone portraits carry the hotel’s literary theme into the rooms: here Leo Tolstoy above the bed, a quotation on the suspended ceiling and a view of the Baltic Sea beyond.
Maxim Gorky as a wall motif: the writer stayed in Heringsdorf in 1922.
Maxim Gorky as a wall motif: the writer stayed in Heringsdorf in 1922.
The spa pool: mosaic tiles, drapery and an illuminated ceiling recess create a calm, warm atmosphere.
The spa pool: mosaic tiles, drapery and an illuminated ceiling recess create a calm, warm atmosphere.
In the restaurant, booths with patterned upholstery structure the space beneath copper and silver glass pendants.
In the restaurant, booths with patterned upholstery structure the space beneath copper and silver glass pendants.

furnomics: How are AI and other digital tools changing the architectural and creative process? Where do you see genuine value, and where should designers remain cautious?

Yasmine Mahmoudieh: AI and digital tools already change our process in useful ways. They help us explore more options, analyse performance and communicate ideas faster, which gives designers more time for context, culture and human needs. There are two areas where I see the need for caution. First, aesthetics: if we rely too much on AI, we risk globally homogenised spaces that lose their local soul. Second, decision making: more data does not automatically lead to wiser choices. We still need intuition and ethical judgment to decide what kind of future we are building. I use AI as a strong assistant, but I keep human empathy and cultural intelligence in the lead.

furnomics: What do hotel guests increasingly expect today that designers, developers or operators may still underestimate?

Yasmine Mahmoudieh: Guests increasingly expect holistic wellbeing and authenticity, even in business and city hotels. They notice air quality, light, acoustics, materials and food sourcing, and they are sensitive to how they feel after staying in a place for a few nights. They also want environments that adapt to them intuitively, with technology working quietly in the background. Above all, many travellers now look for meaning: connection to local culture, nature and a sense of purpose. A hotel can either be a neutral backdrop, or a small cosmos that inspires and restores.

furnomics: What will distinguish an exceptional hotel from an average one over the next decade?

Yasmine Mahmoudieh: Exceptional hotels in the next decade will be defined less by spectacle and more by depth of experience and regenerative impact. They will be rooted in their ecosystem, use local materials and crafts, and contribute tangibly to community and environment. They will orchestrate light, sound, scent, texture and temperature so that guests feel truly held by the space. Technology will support wellbeing and sustainability quietly rather than dominate the experience. I am currently developing a regenerative luxury hotel concept that brings together my global hospitality experience with innovations that do not yet exist in the luxury market.

It combines a biohacking and longevity centre with a strong cultural and event programme, conceived as a movement rather than just a brand. The aim is to create a hotel as a small cosmos where mind, body and soul are addressed equally, and where the way we travel, live and work can gently shift. The concept is now at a clear planning stage, and I have opened it to selected investment partners who share the belief that doing good and long‑term financial success can go hand in hand.

furnomics: Which important question is the hospitality industry still not asking often enough?

Yasmine Mahmoudieh: The question I rarely hear, but find essential, is this: How can this hotel actively regenerate its environment, its community and the health of its guests and staff, rather than only minimise harm. We speak a lot about reduction – less energy, less waste, fewer emissions – which is necessary. But we seldom ask how a project might restore ecosystems, strengthen social ties, improve physical and mental wellbeing, or educate and inspire future generations. Once we start from that question, the brief changes. Hospitality becomes part of a positive movement, not just a slightly cleaner version of business as usual.

“Hotels have to be felt”

Mahmoudieh takes a radically holistic view of hospitality

19.10.2026 | 6:40
Fireplace lounge at Strandhotel Atlantic in the Baltic resort of Bansin on Usedom: velvet upholstery, copper pendants and a bookcase that picks up the hotel’s literary theme. Mahmoudieh comprehensively redesigned the hotel and the adjoining Villa Meeresstrand. Photos: Strandhotel Atlantic & Villa Meeresstrand / Yasmine Mahmoudieh
Fireplace lounge at Strandhotel Atlantic in the Baltic resort of Bansin on Usedom: velvet upholstery, copper pendants and a bookcase that picks up the hotel’s literary theme. Mahmoudieh comprehensively redesigned the hotel and the adjoining Villa Meeresstrand. Photos: Strandhotel Atlantic & Villa Meeresstrand / Yasmine Mahmoudieh

Yasmine Mahmoudieh on regenerative hospitality, healthier materials, AI in design, and why hotels should do more than simply reduce their environmental impact.

Hospitality is under pressure from several directions at once. Sustainability targets are becoming more demanding, economic constraints are tightening, digital tools are accelerating the design process, and guests are paying closer attention to wellbeing, authenticity, and the values behind a place. For Yasmine Mahmoudieh, these forces cannot be separated. They all feed into a larger question: what should a hotel actually do for the people who stay in it — and for the environment around it?

Mahmoudieh is an architect, interior designer, impact designer and creative director based in London and Milan. For more than three decades, she has worked internationally on hospitality and mixed-use projects across Europe, the Middle East, and the Americas. Her work increasingly focuses on regenerative materials, ESG-driven design, and the relationship between architecture and human health. Alongside her studio practice, she advises hotel groups, tourism boards, governments, and public stakeholders, and has built a living library of organic and regenerative materials to support what she describes as more future-proof design decisions.

Her position is ambitious. Mahmoudieh argues that hospitality should move beyond reducing harm and begin to actively improve health, communities, and ecosystems. That raises an obvious question: how much of this is already changing real projects — and how much still remains aspiration?

furnomics: Hospitality design is currently being shaped by sustainability targets, economic pressure, new technologies and changing guest expectations. Which of these forces is having the greatest impact on projects today?
Yasmine Mahmoudieh: All of these forces are shaping hospitality, but the strongest driver I see is the combination of economic pressure and changing guest expectations. Owners want assets that are more resilient and future‑proof, and guests increasingly look for places that feel aligned with their values and wellbeing, not just design trends. Technology and AI then follow these demands. We use them to understand performance and personalise experiences, but the core question is still very human. Hotels have to be felt. The real impact comes from how a space touches mind, body and soul, and whether people leave feeling better than when they arrived.

furnomics: Is sustainability already influencing hospitality projects from the first concept onwards, or is it still too often added later to meet regulations and certification requirements?
Yasmine Mahmoudieh: In my own work, sustainability starts with the first concept. If it comes later, it usually becomes superficial or costly. Across the industry it is still too often added afterwards, to satisfy regulations or certifications.  You get visible “green” elements, but the deeper structure of the project remains unchanged. When sustainability shapes the concept from the beginning, it influences location, architecture, materials, operations and narrative. That is how a hotel can move from “less harmful” to genuinely regenerative for its environment and its guests.

furnomics: Where do you see the biggest gap between the sustainability ambitions of the industry and what is actually being built?
Yasmine Mahmoudieh: The biggest gap I see is between ESG ambitions and everyday construction decisions. Many brands speak about net zero, circularity and wellness, yet conventional structures, toxic finishes and short‑term value engineering are still the norm. My mission is to change the way we build by replacing harmful materials with healthy, organic and regenerative ones, so that hospitality can actively improve health for the planet and for human beings. That requires more knowledge, patience and courage at concept stage, but it pays off in long‑term performance and guest loyalty.

furnomics: Your work connects architecture, hospitality, ESG and education. How does this broader perspective influence the way you approach commercial projects?
Yasmine Mahmoudieh: I see architecture as applied art with a clear purpose: to improve life. In hospitality, that purpose becomes designing behaviour, emotion and memory. Because my work connects hospitality, ESG and education, I tend to approach projects as part of a larger ecosystem rather than isolated buildings. I help clients align their physical spaces with their ESG story and their guest experience, whether that is a single hotel, a brand or a destination. This can include working with hotel groups, tourism boards or public bodies on how a place performs, communicates and evolves over time.

furnomics: How are AI and other digital tools changing the architectural and creative process? Where do you see genuine value, and where should designers remain cautious?
Yasmine Mahmoudieh: AI and digital tools already change our process in useful ways. They help us explore more options, analyse performance and communicate ideas faster, which gives designers more time for context, culture and human needs. There are two areas where I see the need for caution. First, aesthetics: if we rely too much on AI, we risk globally homogenised spaces that lose their local soul. Second, decision making: more data does not automatically lead to wiser choices. We still need intuition and ethical judgment to decide what kind of future we are building. I use AI as a strong assistant, but I keep human empathy and cultural intelligence in the lead.

furnomics: What do hotel guests increasingly expect today that designers, developers or operators may still underestimate?
Yasmine Mahmoudieh: Guests increasingly expect holistic wellbeing and authenticity, even in business and city hotels. They notice air quality, light, acoustics, materials and food sourcing, and they are sensitive to how they feel after staying in a place for a few nights. They also want environments that adapt to them intuitively, with technology working quietly in the background.  Above all, many travellers now look for meaning: connection to local culture, nature and a sense of purpose. A hotel can either be a neutral backdrop, or a small cosmos that inspires and restores.

furnomics: What will distinguish an exceptional hotel from an average one over the next decade?
Yasmine Mahmoudieh: Exceptional hotels in the next decade will be defined less by spectacle and more by depth of experience and regenerative impact. They will be rooted in their ecosystem, use local materials and crafts, and contribute tangibly to community and environment. They will orchestrate light, sound, scent, texture and temperature so that guests feel truly held by the space. Technology will support wellbeing and sustainability quietly rather than dominate the experience. I am currently developing a regenerative luxury hotel concept that brings together my global hospitality experience with innovations that do not yet exist in the luxury market. 
It combines a biohacking and longevity centre with a strong cultural and event programme, conceived as a movement rather than just a brand. The aim is to create a hotel as a small cosmos where mind, body and soul are addressed equally, and where the way we travel, live and work can gently shift. The concept is now at a clear planning stage, and I have opened it to selected investment partners who share the belief that doing good and long‑term financial success can go hand in hand.

furnomics: Which important question is the hospitality industry still not asking often enough?
Yasmine Mahmoudieh: The question I rarely hear, but find essential, is this: How can this hotel actively regenerate its environment, its community and the health of its guests and staff, rather than only minimise harm. We speak a lot about reduction – less energy, less waste, fewer emissions – which is necessary. But we seldom ask how a project might restore ecosystems, strengthen social ties, improve physical and mental wellbeing, or educate and inspire future generations.  Once we start from that question, the brief changes. Hospitality becomes part of a positive movement, not just a slightly cleaner version of business as usual.
Halftone portraits carry the hotel’s literary theme into the rooms: here Leo Tolstoy above the bed, a quotation on the suspended ceiling and a view of the Baltic Sea beyond.
Halftone portraits carry the hotel’s literary theme into the rooms: here Leo Tolstoy above the bed, a quotation on the suspended ceiling and a view of the Baltic Sea beyond.
Maxim Gorky as a wall motif: the writer stayed in Heringsdorf in 1922.
Maxim Gorky as a wall motif: the writer stayed in Heringsdorf in 1922.
The spa pool: mosaic tiles, drapery and an illuminated ceiling recess create a calm, warm atmosphere.
The spa pool: mosaic tiles, drapery and an illuminated ceiling recess create a calm, warm atmosphere.